70 Clock Galerie / The Innermost Loop Tableaux
Welcome to June 28 2026
Welcome to June 28, 2026 is divided into two panels. On the left, a person sits inside a sophisticated control vehicle facing a suburban street. On the right, a drone hovers in a dark interior while another figure reaches upward and a yellow knife is pulled aw
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Welcome to June 28, 2026 is divided into two panels. On the left, a person sits inside a sophisticated control vehicle facing a suburban street. On the right, a drone hovers in a dark interior while another figure reaches upward and a yellow knife is pulled away. The sequence responds to Dr. Alex Wissner-Gross’s report that a Sacramento sheriff’s drone had used a magnet to lift a knife from a suspect’s hand before deputies entered, described as a national first. The two-panel composition preserves the essential distance in the event. An operator can intervene physically without entering the room, and a flying machine can remove a dangerous object without using a conventional weapon. The magnet is the decisive element. It changes the drone from an observing camera into a tool capable of manipulating the environment, but does so through attraction rather than impact. The composition therefore captures a new category of remote force: precise enough to target an object, embodied enough to change the scene, and separated enough to reduce immediate risk to officers. It also raises questions about surveillance, judgment, and the expanding capabilities of law-enforcement systems operating around people in crisis. Its historical threshold lies between perception and intervention. The machine does not merely identify the knife or advise a human. It reaches into the situation and alters what the person is able to hold.
Opening the gallery…